Judith Pool
Haarlem, 1991
Lives in Haarlem and works in Amsterdam
My work is intuitive and fluid, emerging from conditions I set, where chance plays a role. Until now, my art has been driven by my own intuitions, shaped by personal experiences and preferences. I aim to create a tactile experience that evokes physical reactions—perhaps you feel your mouth water or experience a fleeting sense of discomfort. Fingers may tingle, and if nobody is looking, you might reach out to touch the work, if only for a moment.
I am also fascinated by how the presentation of my work can influence the viewer’s perspective. By encouraging movement—searching, bending, or climbing around the piece—I hope to expand the autonomy of the viewer, creating deeper engagement. I challenge the idea of completion, without clear beginnings and endings, inviting the viewer to connect with the process rather than focusing solely on the result.
In recent years, I’ve grown my practice by working on larger paintings and exploring new techniques like embroidery and ceramics. These craft-based processes, with their rich communal histories, have drawn me towards art as a shared experience. For me, art is not solely an individual act; it’s something that fosters connection. My work increasingly reflects this focus on community and collective creativity.
I believe creation gains meaning through context and collaboration. Whether through drawing sessions, collaborative workshops, or unexpected spaces for making, my goal is to encourage both individual expression and collective connection.
Haarlem, 1991
Lives in Haarlem and works in Amsterdam
My work is intuitive and fluid, emerging from conditions I set, where chance plays a role. Until now, my art has been driven by my own intuitions, shaped by personal experiences and preferences. I aim to create a tactile experience that evokes physical reactions—perhaps you feel your mouth water or experience a fleeting sense of discomfort. Fingers may tingle, and if nobody is looking, you might reach out to touch the work, if only for a moment.
I am also fascinated by how the presentation of my work can influence the viewer’s perspective. By encouraging movement—searching, bending, or climbing around the piece—I hope to expand the autonomy of the viewer, creating deeper engagement. I challenge the idea of completion, without clear beginnings and endings, inviting the viewer to connect with the process rather than focusing solely on the result.
In recent years, I’ve grown my practice by working on larger paintings and exploring new techniques like embroidery and ceramics. These craft-based processes, with their rich communal histories, have drawn me towards art as a shared experience. For me, art is not solely an individual act; it’s something that fosters connection. My work increasingly reflects this focus on community and collective creativity.
I believe creation gains meaning through context and collaboration. Whether through drawing sessions, collaborative workshops, or unexpected spaces for making, my goal is to encourage both individual expression and collective connection.